Unhappy Accidents: Why Writers Hate Their Own Work

Photo Credit: Book trash, taken 7 October 2017 by Paul Sableman: Meisam/Wikimedia Commons/CC BY 2.0 “[S]ome authors grow to dislike, disown, resent, or regret their books after publication—whether because of an unexpected critical or popular response, changes in their own views, or simple aging.” (Temple, par. 1) The idea that an author might hate a book … Continue reading Unhappy Accidents: Why Writers Hate Their Own Work

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The Transition from Hands To Mouth of Jacqueline Du Pre

Photo Credit: Jacqueline du Pre on the cover of her Dvorak Cello Concerto in B Minor album with the Chicago Symphony Orchestra conducted by Daniel Barenbom (who was also her husband), 1971, EMI Records: amadeusrecord/Flickr/CC BY SA 2.0 “Well, that just means I’ve had to use more my mouth than my hands.” – Jacqueline du … Continue reading The Transition from Hands To Mouth of Jacqueline Du Pre

Wild and Knotty Worlds: The Psychological Crucible

Photo Credit: a crucible used in the Czochralski method (a method of extracting crystals), taken by Twisp on August 25, 2005: Twisp/Wikimedia Commons/PD self "[T]he writer who possesses the creative gift owns something of which he is not always master—something that, at times, strangely wills and works for itself." (Bronte, “Editor’s Preface”, location 561) One … Continue reading Wild and Knotty Worlds: The Psychological Crucible

Transposing Fiction

       Photo Credit: Young Girl Writing a Love Letter, Pietro Antonio Rotari, 1755, oil on canvas, Norton Simon Museum: Wmpearl/ Wikimedia Commons/CC PD Mark 1.0 Photo Credit: The Man Writing a Letter, Casper Netscher, 1665, oil on canvas, Gemaldegalerie Alte Meister, Dresden, Germany: Mattes/Wikimedia Commons/PD Art (PD Old 100)   “Write immediately, yes! But … Continue reading Transposing Fiction

Resistentialism

Photo Credit: Commedia dell'arte Scene in an Italian Landscape, Peeter van Bredael, 17th/18th century, detail, oil on canvas: FA2010/Wikimedia Commons/PD Old 100 “‘At the bottom of every process of obtaining creative material for our work is emotion.’” (Stanislavsky, Chap. V, pg. 101; emphasis added) Last week, I had the honor of being a guest on … Continue reading Resistentialism